Bouncey Bouncey Ball-ee
It’s a buoyant ball,
sorta like styrofoam, but not exactly,
covered all over with every kind of sensor
a buoyant ball could need, and then some.
It bounces crazily wherever external forces –
wind, gravity, surface angles, waves,
people’s ping-pong paddles –
send it, with no volition on its own part,
only its insignificant weight,
dodgy balance, and semi-elastic resilience
to the point of near-imperviousness,
as well as its buoyancy,
all the while taking in and processing
every stimulus its sensors detect,
and broadcasting these processed stimuli
weakly back into its ever-changing
surroundings;
few if any receivers
capable of tuning in to them
are present in the places
to which it has been bounced and blown,
and fewer still actually do tune in,
choice being something exogenous.
The ball, battered and dented
by innumerable collisions and thwacks,
remains with all its sensors sharp
and its processing capabilities unimpaired
as each wave and gust of wind blows it
against some hard surface or another,
or maybe another wave,
or some sentient being who swats it away.
Bibbledy-bobbledy-oopsie-eay.
Eggnog
The eggnog vendor’s wife,
she told me
that her marriage wasn’t sweet.
Why she did this I don’t know.
The would-be expert
coolly sold me
on a plan beside a street.
When its time came he struck low.
The captain, she
refused to hold me
because her goals were incomplete,
so my role became a cameo.
Non-Party Animal
I had a dream
in which I was at a party.
Men I didn’t know
involved me in their concerns
and then disappeared,
I supposed into other rooms.
Women I didn’t know
flirted with me –
as if I weren’t the old
and demonstrably
physically unattractive
and
increasingly feeble
man I’ve become –
some even
cuddled and kissed me,
before they disappeared,
I supposed into other rooms.
Going
to parties has mostly become a part of my past,
and not a part I particularly
lament.
For all kinds of reasons
I never developed sufficient
social skills
to enable me to reap the
rewards
of enjoying purely social
gatherings,
and my propensity to perform,
rather than interact,
has created a dreamlike barrier
between me and any others
present
that’s tended to prevent me
from attaining
either social success or
enjoyment.
An
Acid Memory
I was recovering
from some pathetic
attempt at love
and ate some lysergic
at some beach fleabag
at Port Aransas
on the Gulf Coast
with only my dog
for company.
When I looked out
at the stormy ocean
it seemed to me as if
the oil supertankers
were dancing with each other.
Illusory
Cheese Party
I love cheese. Always have.
Bland, sharp, smoky, tangy,
ripely aromatic,
soft, hard, crumbly, creamy,
grated, melted,
cheap, and I-can’t-afford it.
I love cheese. Always have.
But then, as my metabolism aged,
in 2012 I noticed a definite
correlation
between my cheese intake
and the growing tightness
of my trousers’ waistlines.
Not wanting to have to spend
money on new clothes,
and remembering things I’d read
connecting cheese and corpulence,
I sadly removed cheese from my
diet.
Nothing religious about it –
some grated parmesan
sometimes finds its way onto my
pasta
and some of the day-old
sandwiches
that I buy at the Goldstar Bakery
contain grated cheese,
but daily swiss cheese on toast
and noshing cheap plastic-wrapped
processed cheese
straight from the fridge are out.
Shortly after my birthday in 2013
I found myself at a party,
something unusual for me now,
eating cheese –
squares of strong, hard cheese on
toothpicks,
feta and gorgonzola on bruschetta,
cream cheese on crispbread –
and then I woke up.
Damn.
Demons
I never know when
they’re going to invade,
and it’s always a horror when
they do,
but I do know that
they’re much less likely to
take over
when some distraction
engages me enough mentally
to disregard them.
My
Bladder Saved Me From A Demon
One
of my primary demons
invaded
when I was unprepared.
I
heard noises inside the house
as
if someone was using a sander,
and
when I went inside myself
everything
I touched left sticky-wet white paint
on
my hands and arms.
When
I went to the loo
the
floor was covered
with
about three centimetres of water,
and
he was sanding the wall behind the toilet,
which
he’d disconnected
and
pulled into the centre of the room.
Fortunately,
I really did have to pee,
so I
awakened and went down the hall
to
my own untouched-in-reality crapper.
Good
Ole Cloudy
Needing
Cloudy,
Male
or female, fat or skinny,
Fudging
leaf-lines at the park
Soft
and curved or hard and tinny
Shadows
slipping through the dark,
Shining
on and shining over
Clued-in
and clueless
Soldiers
and preachers
Gang
boys and teachers
Identical
to the naked eye
Fashion
shouts and then it lies.
Chalk
surrounds, but vision shoots through.
Cloudy
assists.
Turning
Cloudy
When
I hear what
Sounds
like cheap talk
Sounds
like her talk
Sounds
like empty words
Stinks
like rotten turds
It’s
a fever won’t let me rest
Her
eyes are ever a test
hidden
away in plain view
Just
another introverted ham on cue,
Exploited
and exploiting,
Our
Cloudy.
There goes Cloudy,
Rubbing
and thumbing
Edges
where it itches
and
weeps and burns and bewitches,
The
old arms-pinned-down
Threatening
enemas
Scrambling
for a way
to
unglue their shoes
Popping
and pustulating
Tight
ceiling coagulating,
Clogged
up Cloudy.
Neo-Baroque
Dream
If I
ever win Lotto,
the
thing I want to do most
is
to commission a pair of musical compositions,
each
by a different composer,
that
together would comprise an evening of music.
The
brief for the commissions would be
first
of all that the music be in a style
that
I call neo-baroque.
The
‘neo’ part means that the composers
should
use whatever weird-shit approach or mixture of approaches –
dissonance,
atonality, polytonality, twelve-tone, tone clusters, serialism,
polyrhythms,
graphical notation, impressionism, minimalism, surrealism,
jazz-influenced
postmodernism, spectralism,
or
any other genres of the past century or so –
that
would be strange-sounding to conventional ears.
The
‘baroque’ part means that the music should be basically polyphonic,
with
two or more relatively independent melodic lines
interacting
intricately.
The
instrumentation would also be neo-baroque,
as
the compositions would have to be for a quartet
composed
of a harpsichord, tenor saxophone, viola, and xylophone –
or
maybe a marimba.
I’d want the music to be as
abstract, mathematical,
and purely musical as possible,
with no programmatic elements – whether self-expressive,
emotional,
dramatic, heroic, majestic,
triumphal, nationalistic, or sociopolitical.
I’d like it to transcend any
single cultural tradition
and to avoid specific cultural
references.
If the composers could work in
some spiritual, sensual, or
visceral elements
without abandoning the rest of
the brief
I think that’d be cool, too.
Misspent
Youth
When I was a youth, unfortunately:
I
did not dress in formal evening clothes
for dinners at my family’s ancestral estate
after a day of riding to the hounds,
and before dallying with a parlourmaid at
night,
whilst home on holiday from Harrow .
I
did not work in my father’s silversmith stall
deep inside a timelessly crowded souk,
developing breath-taking skill and pride in
dim light
while old women in black, redolent of baked
bread,
arranged my appropriate marriage.
I
did not join a top-drawer fraternity
at an Ivy League university,
dress casually but expensively,
and escort interchangeable debutantes
to cotillions and polo matches
in my vintage Mercedes Benz
with real leather upholstery.
I
did not help navigate a hand-carved waka
across the endless ocean with salt wind on
my face,
wearing a loincloth, gorgeous muscles
working hard,
to a previously unknown island
that I helped to make into my people’s
home.
I
did not frolic wearing nought but a flimsy toga
with diaphenously clad nymphs
in white-marble Grecian temples
beneath a Maxfield Parish sky.
I
did not run away from home
to a sooty and heartlessly competitive city
where I went from sleeping under bridges
to the life of a fur-coat-wearing pimp
with a purple penthouse and
chauffeur-driven Cadillac.
Sometimes things just don’t work out that
way.



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